Ejagham, Janus head
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vendor: hamill gallery
In the southeastern forest region of Nigeria, the Ejagham (Ekoi) people live in a politically decentralized group of small, scattered villages with with several clans united under the leadership of a priest/chief (Ntoon). A Ntoon is responsible for the ritual activities of the community while the political functions are performed by various societies of elders and age-grade associations of young men.
The important art forms of the Ejagham people are connected with the institution of the Ntoon and with the men's and women 's associations. The best known of these art forms are the large, skin-covered headdresses (crest masks), which may have one, two or even three faces, and the smaller headpieces, which may represent a head or an entire figure. These exceptional headdresses are owned by associations whose members are men or women of the same generation but membership is often further restricted to those who have performed certain feats or are proficient in particular skills. In the past, for example, there were associations of hunters and of men who had killed leopards. The masks, which bear the same name as the society that owns them, are worn during funerals, initiations and other events. Some are startlingly naturalistic and may be portraits of known individuals; others are highly stylized.
There are two principal types of masks: helmet masks that cover the wearer's head entirely and crest masks, often referred to as headdresses, which are attached to basketry caps worn on the top of the head. Both types were made by an artist who carved the form from a single piece of wood and covered it with soft, untanned antelope skin that had been soaked in water for several days. He stretched and tacked the skin into place until it dried and stiffened. Eyes, scarifications, and hair were often carved separately and pegged into the finished piece. Before being worn, the headdress was painted or colored, then adorned with metal pieces, wooden pegs, real hair, porcupine quills, feathers, or feathered rods stuck into holes at the top.
The opposing sides of janiform heads represent male and female faces. The male side was normally stained a dark color while portions of the female side were left the natural lighter color of the antelope skin. These masks would have further ornamented with feathers, quills and other objects in performance.